We do not draw a logo to please a meeting, but to hold up on a shopfront, on a phone screen and in an investor file. Before a single graphic direction, the Blason framing workshop is there for exactly that: turning your brand intention into a clear course, so the creative exploration starts right the first time.

Framing an identity means preparing the ground for the logotype

A logotype, a palette and a typeface do not come out of nowhere: they answer a brand that knows who it speaks to and what it wants people to feel. In the workshop, we lay those foundations. We clarify your audiences (a neighbourhood business and a startup raising funds do not expect the same signal), what sets you apart from the big chains your customers already know, and the emotion your image should trigger at first glance: trust, boldness, closeness, high standards.

We also map out, very concretely, everywhere your identity will have to live: sign, storefront, packaging, website, social, email signature, deck. Each touchpoint has its own constraints (a logo that reads tiny in an avatar is not the same job as a sign seen from afar), and anticipating them now is how we avoid an identity that looks good on screen but falls apart in the shop. At the end of the workshop, we do not show you a drawing: we hand you a shared frame the whole rest of the work will lean on.

  1. We pin down your audiences and what they expect

    Who your brand speaks to, what reassures them and what drives them away. They validate a visual direction, not a passing trend.

  2. We place your brand against the big chains

    What the players your customers already know are doing, and the gap we want to open so you are recognised instead of confused with them.

  3. We define the feeling we are aiming for

    The emotion your identity should spark at first glance. That compass will guide the choice of a logotype, a colour, a typeface.

  4. We map your touchpoints

    Storefront, screen, packaging, deck: every place your brand will be seen. Each support has its own constraints, and we set them before we draw.

A logotype is not the start of the work, it is the moment framing becomes visible. Everything that makes it right is decided before the first line.
Romain Gelb · Directeur artistique, FIEF